Orville makes exquisitely detailed, photo-like monotypes of Pacific Northwest landscapes, with wide skies, windblown trees, and morphing masses of clouds. They convey a sense of space, movement, and the interplay of ephemeral moments and geological time.
– The Stranger, 2019
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Tom McDonald, “Wendy Orville: Seeing Trees | Harris/Harvey Gallery“ Art Access, June 2024 |
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Brangien Davis, “ArtSEA: If you paint it, will they come? Seattle hopes so“ CascadePBS/Crosscut August 2024 |
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Tom McDonald, “Process” Exhibit at Aurora Loop Gallery, Art Access, August 2023 |
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Tom McDonald, A Toast to Sam Davidson, Art Access, June 2023 |
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Micro-Explorers Four Seasons Magazine, Issue 2, 2020 |
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Bill Galvani, First Impressions: The Process of Printmaker Wendy Orville, Bainbridge Magazine, Summer 2019 |
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Stefan Milne, 5 Shows to See at April Art Walk, Seattle Met Magazine, April 3, 2019 |
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T.S Flock, First Thursday Art Walk Guide: April 2019, Vanguard Seattle, April 4, 2019 |
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Miranda Metcalf, Episode Eleven|Wendy Orville, Podcast and Article, Hello, Print Friend, March 27, 2019 |
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Singular & Serial: Contemporary Monotype and Monoprint Catherine Kernan & E. Ashley Rooney. Schiffer Publishing, Ltd. Available March 2019. Book that features monotypes by Wendy Orville. |
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Artists I Love: Wendy Orville Upcoming at Davidson Galleries Iskra Fine Art, 2019 |
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Wendy Orville: above & below|recent monotypes The Stranger, Seattle, 2019 |
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Wendy Orville: The Art of Monotype Bainbridge Island Review, 2017 |
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Deep Cuts, Episode 13: “A reflection of who we have been, who we want to be” Shelly Leavens, The Meural Sketchbook, 2016 |
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Wendy Orville’s monoprints may look like photographs, but… Contemporary QuiltArt Association, 2015 |
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To Be Alone Together: Studio visit with Wendy Orville Museum of Northwest Art, 2014 |
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Pioneer Square Art Walk: February 2014 Vanguard Seattle, 2014 |
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Bainbridge Island Museum of Art Video, 2012 |
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Wendy Orville and Doug Nathan: Finding Joy in the Ordinary Different Work, Lori Kane and Bas de Baar. 2012. |
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Keeping the Good Work Rolling Bainbridge Review, October 17, 2007 |
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Seattle Print Arts survey keeps the audience on its toes Seattle Post Intelligencer, January 27, 2006 |
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Short Reviews The Magazine, Santa Fe, NM, October 1995 |
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Slingshot Hits a Bulls Eye The Taos News, July 1995 |
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Marc Baseman / Wendy Orville The Magazine, July 1992 |
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The Spare Landscape Evokes Emotion New Haven Register, November, 1989 |
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Micro-Explorers Four Seasons Magazine, Issue 2, 2020 |
|
Bill Galvani, First Impressions: The Process of Printmaker Wendy Orville, Bainbridge Magazine, Summer 2019 |
|
Stefan Milne, 5 Shows to See at April Art Walk, Seattle Met Magazine, April 3, 2019 |
|
T.S Flock, First Thursday Art Walk Guide: April 2019, Vanguard Seattle, April 4, 2019 |
|
Miranda Metcalf, Episode Eleven|Wendy Orville, Podcast and Article, Hello, Print Friend, March 27, 2019 |
|
Singular & Serial: Contemporary Monotype and Monoprint Catherine Kernan & E. Ashley Rooney. Schiffer Publishing, Ltd. Available March 2019. Book that features monotypes by Wendy Orville. |
|
Artists I Love: Wendy Orville Upcoming at Davidson Galleries Iskra Fine Art, 2019 |
|
Wendy Orville: above & below|recent monotypes The Stranger, Seattle, 2019 |
|
Wendy Orville: The Art of Monotype Bainbridge Island Review, 2017 |
|
Deep Cuts, Episode 13: “A reflection of who we have been, who we want to be” Shelly Leavens, The Meural Sketchbook, 2016 |
|
Wendy Orville’s monoprints may look like photographs, but… Contemporary QuiltArt Association, 2015 |
|
To Be Alone Together: Studio visit with Wendy Orville Museum of Northwest Art, 2014 |
|
Pioneer Square Art Walk: February 2014 Vanguard Seattle, 2014 |
|
Bainbridge Island Museum of Art Video, 2012 |
|
Wendy Orville and Doug Nathan: Finding Joy in the Ordinary Different Work, Lori Kane and Bas de Baar. 2012. |
|
Keeping the Good Work Rolling Bainbridge Review, October 17, 2007 |
|
Seattle Print Arts survey keeps the audience on its toes Seattle Post Intelligencer, January 27, 2006 |
|
Short Reviews The Magazine, Santa Fe, NM, October 1995 |
|
Slingshot Hits a Bulls Eye The Taos News, July 1995 |
|
Marc Baseman / Wendy Orville The Magazine, July 1992 |
|
The Spare Landscape Evokes Emotion New Haven Register, November, 1989 |
